The amount of already-submitted tracks that I know and believe will
all win is, frankly, super surprising and heart-warming to me. But I want to specifically point out:
Originally posted by Medic
Win. Please. Win harder. You've already won the tourney in my heart. Also, damn you, I wanted to submit this (maybe a different rendition but still).
Win harder, damnit.
On a more sane note, this does beg the question: who needs to be credited? I personally find that (at least) the performers should be credited, probably together with the composer. If there's anyone who knows Ten Holt's music, it's Jeroen van Veen. Anyway...
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The YouTube restriction checker is unresponsive on my end (no matter what I try), but I either have no reason to believe they're restricted, or have alternative sources.
I'm going for something fresh. My nominations:
Zhea Erose - Glitterdance [
YouTube]
Clark - Secret (ft. Martina Topley-Bird) [
YouTube /
Bandcamp /
SoundCloud]
Tigran Hamasyan - Hov Areq sarer jan (live at La Roque d'Antheron 2011) [
YouTube]
Buunshin - Sterven [
YouTube /
Bandcamp /
SoundCloud]
Not even any Techno. Didn't expect that.
Glitterdance is my obligatory xenharmonic pick, but boy howdy what a pick. The xenharmonic branch of music is often criticised for being too clinical, too occupied with technicality to be emotive. Sure, Zhea Erose has technical proficiency in spades, but she is about as far from clinical as you can get. If you want your mind to dance, stick around.
Clark owns the leftfield. There is little semblance of convention in his music, and it continuously moves through different palettes. Secret has all these trademark qualities, adding strong notes of familiarity in folky vocals and guitar. The whole is so very human, with lopsided beats, bright textural imperfections and carefree progression. It's a secret worth smiling to.
Tigran Hamasyan is an Armenian pianist extraordinaire, easily one of the best in the game in my book. He has a distinct style of jazz, often math metal-inspired (he's often compared to the likes of Meshuggah), but is also known for his touching classical outings. Hov Areq sarer jan is one such outing, an adaptation of a deeply somber traditional Armenian song about a man who entreats the mountains for some wind ("Blow, Dear Mountains").
Finally, Sterven (Dutch for "to die") is a truly abrasive piece of industrial-sounding drum & bass. Despite its imposing sound and its dominating energy, it's still immensely spacious. This track, like all of Buunshin's work, is a masterclass in mixing and sound design. He made waves instantly upon entering the scene, and not without reason.
...nice impromptu music reviewing lol