LadiesMan217 Present™ Birabuto Kingdom!

Wow!!!! The quality NSMW Overworld sounds amazing, I don't think you can get much closer than that! Also Airship and Dark Land sound perfect, but didn't either one of those songs have panning? Maybe not, but I was wondering.

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My 2014 Summer C3 and Winter C3 Thread is open for your viewing pleasures.
Open for music porting with MIDIs.
Click here for all my SMW ports.

You mean "sneak peek". And why do you always abbreviate "just" as "jx"?

In any case, the ports sound pretty good so far (though unsampled versions would be nice...). I don't see too many NSMB ports, I guess because of lack of MIDIs and lack of soundtrack diversity.

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I'm working on a hack! Check it out here. Progress: 64/95 levels.

I like the alternate version more, it sounds a bit better to me. Anyways, getting here from the Music Request thread, I can say I am very happy about this song! Question though? How do I use this as the invincibility theme in my hack? I don't think it'd be simple, considering it's sampled and I may have some levels with unsampled music or different samples.

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Sometimes, I like to hack SMW. This is rare though, but I always try something new.


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~Developer for "Mario Enters the Void", an abandoned hack. The thread for the hack can be found Here ~

Warning: Big post ahead.

If you think you're alone on the lack of feedback, let me tell you that you're very mistaken; not much people frequent this forum, and almost every personal thread is ignored except for one or two people that occasionally post in them, and yours isn't as ignored as you think, most likely because you port music from well-known games. I personally don't really care about the lack of feedback anymore; it's just one of those things you can't do anything about. The thing is, these threads are ignored because "normal" people don't frequent this forum unless they asked for help and are waiting for a response. I've been wanting to give feedback to you, but I feel like people that don't know much about porting will take it as rude (last year's first C3 is an example), and I don't want others disregarding what I said just because of that.

Anyway, I just can't leave with just what I said, so I'm gonna comment on some of your ports.


Most of what Harumi said here still applies, mostly the vibraphone and kick being detuned. It sounds better than before, but it can still be improved a lot. Aside from what the post I linked said, the percussion sounds a bit out of sync, so you might want to look at that, and the bass is too quiet if you compare it with the original. Keep at it though, it's coming along nicely! Also, as a suggestion, perhaps you can use Terranigma's trumpet (sample 0F at 0:20) instead? It sounds closer to the original.


I really like this for the most part, but that random low note on the last channel sounds out of place. Not sure what it was supposed to be, but you should take it out or raise its octave. Everything else is pretty good though.


This one is amazing, I have to say! You did an awesome job, and I can't really find anything bad in it.


I have to agree with MercuryPenny on this one; there's something weird about that steel drum sample, and SMW's @7 sounded good on the last version, so yeah, it'll be nice if you include both versions when you release it. Also, those very short notes on the guitar are, well, very short, and they don't let the sample play at all. You can fix this with either rest-replacing GAIN or by simply using slightly longer notes. If you want to know how to use remote commands for GAIN, feel free to PM me and I'll send you the instructions.


Yeah, this alternate version is a lot better than the first one, however, the strings sound very detuned, and the high French Horn doesn't really fit with the song. I like the piano though; it isn't as bad as I expected, since you said you only used one sample.


That's an interesting arrangement, and I like it, but I agree with Scorpion; the banjo is too loud. Also, I feel the vibraphone should be transposed because it doesn't fit with the other channels, but I don't know what MIDI you used to port this, so I can't give you any more details; sorry about that.

Oh, by the way, you might want to use $F4 $02 on your pots a bit more, as it helps to make them sound better and smoother. I personally consider it a must use nowadays, so give it a try!

Edit: Goddamn it, typos everywhere...

Man, most of your songs are nice. I like how you're trying to port modern songs, they're so rare today and even more sampled. I think you're one of who get more feedback here, so you should be happy that you're doing everyone's wishes here.

The only thing I'd like to complain, aside from Masterlink said, is that it sounds a bit empty sometimes, it's missing a percussion that is played all time, which fills all emptyness of the song. There is no problem if you interrupt when all 8 channels are active, since when all of them are active your port is filled enough with other type of percussion. Of course I'm not specialist so if anyone experienced with porting see that I'm saying something wrong go ahead and correct me. But it's what I'm feeling about the port. Also please do something with the #3 that plays around 0:26, it's completely detuned as Harumi and Masterlink says. Even if it's something that is just 1% of your port it can completely destroy the sound quality of the port was doing so far.

Also, in name of CreeperJrs, please stop deleting the old ports! Some people like me only visits the music forum sometimes and when I visited your thread 50% of the ports were deleted. Get a public folder on Dropbox if you're getting out of space on file bin.

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